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Fonts Used In Blog
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Category Archives: Announcements
June 7, 2012 – 12:15 PM
In April we rolled out our free Fontshop Plugin, which allowed you try any of the 150,000+ fonts in our library within the context of your own artwork in Adobe Photoshop (CS5, CS5.5 and CS6) for free. We heard you loud and clear and are happy to announce that the plugin now supports Adobe Illustrator (CS5 and CS6) as well. This is a great new way to find the perfect typographic fit for your project.
- Preview fonts in your document
- Search by name, designer or foundry
- Collect and tag favorite fonts
Get the plugin from our website at FontShop.com/plugin. If you’ve already got the previous version of FontShop plugin for Photoshop, be sure to uninstall it first through Adobe Extension Manager, then install the latest one. The new one works in both Photoshop and Illustrator.
The plugin page includes step-by-step instructions and FAQs on how to use this handy tool. If you have additional questions, we also have a help page on FontShop that should assist you. The plugin is still in beta, so please feel free to leave your feedback for our developers.
Have you used the plugin? What do you think?
June 6, 2012 – 4:25 PM
Venus in transit yesterday must’ve made the internet fall in love all over again with FontBook app for iPad.
We were super excited to be named Smash App’s app of the day this morning, which definitely put a smile on our faces. Then this afternoon Wired lists FontBook as one of its 10 Essential Apps for Makers. That resulted in some joyous office clapping.
The app’s about to celebrate its first birthday, so we’re happy that it continues to be a useful and essential resource for the design community. We didn’t stop there and continue to innovate and create more tools to make your life easier. As we told you in today’s newsletter, we’re thrilled that our plugin now supports both Adobe Photoshop and Illustrator. Stay tuned to the blog tomorrow for a closer look.
May 16, 2012 – 11:10 AM
The original TYPO kicks off tomorrow (Thursday) in Berlin and some of the TYPO San Francisco team is here to observe and get inspired for next year. If you can’t be here, don’t dismay, six talks will be livestreamed around the globe.
Stay tuned to Typotalks.com/Berlin to view:
16:00 (7am PST) Daniel van der Velden
20:00 (11am PST) Lars Müller (In German)
16:00 (7am PST) Nat Hunter
20:00 (11am PST) Matthew Butterick
11:00 (2am PST) Lupi Asensio, Martin Lorenz
19:00 (10am PST) Jessica Hische
March 30, 2012 – 3:57 PM
To make it easier for you to get what you’re looking for on fontshop.com, we’ve added a new delivery option when you buy something. You can download, or now email yourself the fonts. This comes in handy especially when you’re browsing the site from a mobile device, or when you’re ready to buy something after looking it over in the new FontBook.
Selecting the Email option sends the zip file to the address listed in your account. If it’s a big file, (over 10MB) the email option is disabled for that product, but the site works the same as always; Whatever you’ve paid for but haven’t downloaded yet will be waiting for you the next time you log in.
When you choose the email option, here’s what the delivery message looks like:
You can take it from here. Thanks for following our work to put great type into the hands of great designers.
By David Sudweeks | |
February 14, 2012 – 4:12 PM
It’s Valentines Day. And on the off chance that means you’re getting married soon, we here at FontShop congratulate you and hope it’s of some service our putting together a list of recommended faces for your invitations.
Elegy by Ed Benguiat, Jim Wasco; published by ITC
Novia by Cyrus Highsmith of Font Bureau
These two both interest me because of their departure from more established formal calligraphic styles in pursuit of practical 19th century penmanship.
Premiéra by Thomas Gabriel; published by Typejockeys
Something casual; Feel Script from Sudtipos.
On getting just the right typographic feel, the work of the typographer of course extends well beyond the type selection process. If you’re a young designer, let me suggest just a few things to keep in mind starting out:
Choose an appropriate and flattering medium. Try a few different sizes of paper dummy. Package each as they’ll travel in the mail, and post them to yourself. This confronts the cost of postage from the outset. If environmental impact is chief among your concerns, consider dispensing with the interior envelope, or going with electronic only invitations.
Think about different processes and design to process. If printing letterpress from photopolymer plates for example, have someone familiar with the strengths and limitations of the process help you. Other common processes include engraving, foil stamping, thermography, letterpress printing from moveable type, lithography, and digital. If your printer quotes you a digital option, make sure you know what he or she means (usually sheetfed inkjet, but lately the term has also come to mean monochromatic or color laser).
Establish harmonious proportions. The invitation should feel good to the hand and its message clear to the eye. The size of the type, as well as the size of the margins should relate to the media that carries it. If designing in multiple sizes or styles, adhere your text to a sufficiently coarse baseline grid.
Don’t ‘brand’ this. Make it beautiful, and avoid the temptation of applying logotypes or monograms to everything. Carefully controlled, understated typography is one of the best ways of developing a consistent voice.
By David Sudweeks | | |
January 26, 2012 – 2:32 PM
Jessica Hische, Neville Brody, Tina Roth Eisenberg, Michael Bierut and Erik Spiekermann will share a stage April 5-6 at TYPO San Francisco.
With an emphasis on design, society, culture – with a little bit of kerning, TYPO San Francisco, based on one of Europe’s most successful design conferences, will take place at Yerba Buena Center for the Arts (YBCA), centering around the theme Connect.
The two-day conference will feature a diverse array of local and international, creative and inspiring speakers across multiple industries in the Novellus Theater at YBCA, including:
- Juliette Bellocq — handbuiltstudio
- Michael Bierut — Pentagram
- Neville Brody — Research Studios
- Thomas Castro — LUST
- Peter Cho — Inkling
- Jessica Hische
- Morag Myerscough — Supergroup
- Jim Parkinson — Parkinson Type Design
- Yves Peters — The FontFeed
- Hugo Puttaert — visionandfactory
- Oliver Reichenstein — iA
- Tina Roth Eisenberg — swissmiss
Erik Spiekermann and Kali Nikitas will facilitate in the main hall. The event will also feature typographic workshops and presentations by visual and performance artists.
Regularly priced tickets ($500) are available through February 29, with late registration ($600) beginning March 1 up until the conference. Group rates are available. Additionally, a limited number of student tickets will also be available at a reduced rate.
TYPO sponsors include FontShop, FontFont, Adobe, Emigre and Communication Arts. Several corporate sponsorship opportunities are still available, please email email@example.com for more information on sponsoring.
Bloggers are invited to connect with their readers at the event by placing a badge on their site for a discounted ticket.
December 23, 2011 – 2:55 PM
We hope the season finds you well! FontShop’s office will be closed for the remainder of 2011, but our customer support team will be checking in to help with your requests. If you call us, please leave a message if your issue is urgent and someone will get back to you.
In the meantime, snuggle up with some hot cocoa (or ice tea, for our friends in the Southern Hemisphere) and watch for the conclusion of our Typographic Countdown to the New Year or reread our Best Typefaces of 2011 newsletter.
Need a last minute stocking stuffer? Don’t forget the newly released FF Ernestine Pro, FF Ernestine Offc Pro and FF Ernestine Web Pro versions are priced at an intro rate through December 31. Or get the design geek in your life a ticket to the upcoming TYPO San Francisco Connect coming this April.
We’ll be back on January 2 with loads of new content and some exciting announcements. Thank you for a great 2011!
December 21, 2011 – 3:01 PM
Browsing random typefaces just got a lot more fun and easy thanks to our Randomizer tool on FontShop.com. We’ve just launched a revised version of our Random Font Generator. It’s part of our ongoing effort to evolve past old ideas and offer new ways of interacting with our website.
This new version is the fastest and simplest way to discover new fonts on FontShop.com.
In addition to a more comprehensive sample of the randomly selected typeface, from our collection of over 150,000, some of the new features are:
- Simple bookmarking of new fonts as favorites as you browse via the star icon. You can sort the results out later once you’re dizzy with font overload!
- The Purchase Options tab is only one click away from the sample tab. When you come across the typeface that makes you scream “I MUST HAVE THIS NOW!”, it’s easy to snag.
- Intuitive navigation via on-screen clicking, arrow keys or swipe gestures. The support of mobile devices, like iPad, is one of our major focuses for the future.
We hope you like these new features. Let us know your thoughts in the comments section.
December 16, 2011 – 4:31 PM
FontShop International (FSI) announced a major restructuring of its award-winning FontFont® typeface library this week. The FontFont Library Tier system splits the collection into three distinct tiers designed to save customers valuable time in selecting typefaces. Read on to learn a little more about this new set up!
Finding Faces Faster: FontShop International introduces the FontFont Library Tier system
The FontFont® brand debuted in 1990, built around one simple premise: Erik Spiekermann and Neville Brody conceived of a library of innovative digital typefaces created by designers for designers. FontFont launched with a handful of types the founders commissioned from their colleagues and up and coming young talent. From those humble beginnings, the FontFont library has grown to include 750 families representing the work of more than 160 designers worldwide.
FontShop International carefully developed the FontFont library to meet the demands of type users with diverse needs. Hand picked twice yearly by the FontFont type board — helmed by Spiekermann, a self-proclaimed “typomaniac”—each typeface in the library has been chosen for aesthetic appeal, innovation, and craftsmanship. FontFonts are technically perfected and thoroughly road tested before release, ensuring that designers have the best possible experience when using these high-quality fonts in their typographic projects.
With 2,500 fonts and counting, FontFont has become one of the largest contemporary type libraries in the world. Having so many designs to choose from can be both a blessing and a curse; leisurely sifting through thousands of fonts online is pleasurable for any type lover, but it can be a daunting task at 3 a.m. when deadlines loom.
Enter the FontFont think tank: FSI’s dedicated team of type fanatics and technical gurus were determined to make font selection as easy as possible. After countless hours spent on research and in talking with type users, their mission was to minimize the
amount of time each customer had to spend on selecting fonts. To achieve this goal, they decided to split the FontFont library into three distinct tiers.
FontFont Premium Tier: The Most Popular FontFonts
FontFont’s Premium Tier includes today’s most popular FontFonts and will feature the latest releases going forward. This tier, the largest in the new system, showcases international favorites like Albert-Jan Pool’s FF DIN®, FF Scala® by Martin Majoor, FF Dax® from Hans Reichel, and Spiekermann’s FF Meta® and FF Unit®.
Premium Tier FontFonts anchor the library in three formats to address every need — OpenType, Offc, and Web.* By next summer, all fonts in the Premium Tier will feature Pro language support, including Cyrillic, Greek, Hebrew, and Arabic in some designs. Customers are not restricted to licensing full packages in this tier, but may choose single weights from these bestselling type families.
(*Offc and Web versions of some Premium Tier FontFonts are still in development and will be available soon.)
FontFont Collection Tier: Extraordinary Pricing and Hidden Gems
The FontFont Collection Tier is a selection of economically priced typographic treasures, including Xavier Dupré’s FF Reminga™, FF Mambo® by Val Fullard, and experimental designs like the FF FUSE Classics.
The Collection Tier is offered in full-family packages only—fonts are available in OpenType with Standard language support (with a few key exceptions). All packages in this tier are affordably priced at less than 100€/$, making it easier than ever for customers to build a quality type collection.
FontFont Free Tier: Giving Something Back
As a bonus to loyal customers, FontFont now offers a variety of free typefaces, including Paul Sych’s FF Dig, Dog, Hip™, FF Peecol™ from Steffen Sauerteig and Kai Vermehr (Eboy), and Timothy Donaldson’s FF FancyWriting™. Free Tier titles contain the complete family in a single package, and are available in OpenType with Standard language support.
It Just Gets Better: New Additions to the FontFont Family
FontFont is growing again with a stellar new text design and significant extensions to five favorite families. FF Ernestine, Swiss designer Nina Stössinger’s first typeface, is a wide wedge/slab serif family developed for text setting. Solid yet feminine, FF Ernestine includes roman and italic cuts in four weights. Los Angeles-based designer Hrant Papazian contributed a complementary Armenian character set, available in the Pro version.
Fred Smeijers has revised the design of FF Quadraat® and added a much-needed demi bold weight. Two companion families—FF Quadraat® Sans and Sans Condensed — have undergone design revisions, and have been expanded with thin, extra light, and demi bold weights. All three families now include Pro versions with Latin Extended and Cyrillic character sets. Ole Søndergaard’s FF Signa™ has been extended with extra light, extra black, and ultra weights, while Spiekermann’s FF Meta® Serif now offers Cyrillic and Greek language support.
December 1, 2011 – 12:12 PM
Registration opened today for TYPO San Francisco Connect at typotalks.com/sanfrancisco. The conference, presented by FontShop, will take place at the Novellus Theater at Yerba Buena Center for the Arts (YBCA), April 5-6, 2012.Eager to experience two days of design, culture, society – with a little bit of kerning? A limited supply of early bird tickets are available at great discounted rates through December 31. Professional early bird tickets are available for $400 and student early bird tickets are $200. Students must provide valid proof of enrollment.
TYPO San Francisco will feature a diverse array of creative and inspiring speakers across multiple industries. Erik Spiekermann and Kali Nikitas will facilitate in the main hall. The event will also feature typographic workshops and screenings at YBCA.
Regularly priced tickets ($500) will be available January 1 through February 29, with late registration ($600) beginning March 1 up until the conference.
About TYPO Conferences
TYPO Conferences are a huge success in Europe. TYPO Berlin has become Europe’s premier annual three-day design conference featuring a veritable who’s-who from the elite of design with cultural commentary and social relevance presenting a design barometer of the rapidly changing creative arena of the last 17 years, and as you might expect, more than a little key knowledge of the world of typography. TYPO London premiered to rave reviews in October 2011.
About TYPO San Francisco Connect
San Francisco is a key location for design. Technology and software development have seamlessly entered the design process with creativity and innovation underpinning the way people are educated, conduct business and think about society. We all connect with the world every day. Good design makes this fun and easy, bad design ruins the experience. Being over connected can be fulfilling or overwhelming. Disconnecting can be a relief or isolating. And all of this is changing constantly with technology. TYPO San Francisco Connect brings together incredible speakers from both European and American design communities to share their work and insights on what it means to connect.
Conference sponsors include FontShop International and Communication Arts. More information on sponsorship is available at typotalks.com/sanfrancisco.
November 11, 2011 – 4:47 PM
We know you’re busy and the Internet is a crowded place, so we’ll try to give you a little reminder on Fridays of what’s going on out there. Below please find five recent FontShop-related threads that you may have missed.
Theresa’s Tips guides you through the archives on FontShop this week.
David Sudweeks explains how to use typography across platforms to keep your brand consistent.
The latest installment of My Type of Musicis up on the Font Feed.
Yves Peters takes us behind the ISTD International Typographic Awards 2011. Speaking of award winners, don’t forget you can save 10% off Letter.2 award winners on FontShop.com with promo code LETTER211 through November 30, 2011.
November 10, 2011 – 11:57 AM
We previously mentioned that TYPO, one of Europe’s most successful design conferences, will add an annual event in San Francisco. Well now we have dates!
We connect with the world every day. Good design makes this fun and easy, bad design ruins the experience. Being over connected can be fulfilling or overwhelming. Disconnecting can be a relief or isolating. And all of this is changing constantly with technology. TYPO San Francisco Connect brings together incredible speakers from both European and American design communities to share their work and insights on what it means to connect.
“Within 16 years we’ve developed TYPO to a path-breaking voice in the field of communication and design. The positive reception of TYPO London in October 2011 was the proof, that the international graphic design community wants that summit at additional design strongholds,” said Jürgen Siebert, Chairman, FontShop Germany. “We are thrilled to come to San Francisco.”
The two-day conference will feature a diverse array of creative and inspiring speakers across multiple industries in the Novellus Theater at YBCA. Erik Spiekermann and Kali Nikitas will facilitate in the main hall. The event will also feature typographic workshops and screenings at YBCA.
Registration will open December 1, 2011. An early bird phase with discounted tickets will run through December 31. Regularly priced tickets will be available January 1 through February 28, with late registration beginning March 1 up until the conference.
In the spirit of TYPO Berlin, a limited number of student tickets will also be available at a reduced rate.
November 3, 2011 – 11:48 AM
It’s definitely difficult to believe that it’s already November. We’re hard at work compiling our “Best of” lists before the holiday season distracts us. While we definitely have opinions amongst our staff on what typefaces and enhancements defined the year, we’d like to hear yours as well.
Need some inspiration? Take a look back at some of our previous years’ posts. Next, flip through our New Fonts lists to see what’s come out this year. Then leave your picks in the comment section below.
Not sure if you’ll have motivation to volunteer picks? Let’s sweeten the pot a little bit. We’ll pick 10 lucky commenters to win a copy of the FontBook for iPad. Just leave your comment by November 30!
November 1, 2011 – 5:30 PM
Looking for a great job opportunity in San Francisco? If you’re a creative, talented person with the skills to fulfill one the positions below, we want to meet you. We’re currently looking for: