Tiina and Monopol

Let’s take a look today at Valentin Brustaux’s Tiina with Tomas Brousil’s Monopol.
Tiina-and-Monopol-1
Tiina is a sturdy, contemporary serif face, drawn from no specific tradition or family line. Its low contrast and generous fit serve to keep the face both approachable and firmly affixed to the page. As a block of text, Tiina holds together exceptionally well.
Tiina-and-Monopol-2 Tiina-and-Monopol-3
Monopol exists solely as an extra compressed, or skyline sans in a range of weights from very thin to as heavy as heavy goes. Its construction is that of the draftsman-inspired alphabets of the early to mid-twentieth century, with several well-considered exceptions in form and fit. Depending on final size, you may need to track Monopol open some. Together, Tiina and Monopol form a fine working relationship, each offering more than sufficient ground to allow its companion’s distinguishing characteristics take the role as the figure.

Tiina-and-Monopol-6

Tiina-and-Monopol-4 Tiina-and-Monopol-5
Great Pairs land here each Wednesday. This great pair was originally published July 31, 2013.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

Follow

Get every new post delivered to your Inbox.

Join 61,755 other followers